It's over the Shook Ones instrumental too. I just don't understand how you can see this and still deny the man's talent. You may have heard some of these verses before because he used them here before they were officially released, but the way he flows and pieces all of them together like it's nothing is quite the spectacle. In a way I kind of view this album as the breaking point of Malcolm and past it the ascendance of Mac Miller.Įdit: For anyone that's never seen this freestyle please check it out. ![]() Then I heard the Funx Flex freestyle where he was promoting WMWTSO and I was like "Yo wtf this is like a completely different dude yo I have to hear this new album" and I listened to it and was completely blown away. I mean I remember just being pretty mild on Mac and then pretty underwhelmed with BSP and then going into college I hadn't heard him for over a year. That being said, I think without this album and mainly the reaction to it (which you can tell Mac took to heart) we would've never gotten the night and day different follow up of WMWTSO. ![]() There's still a few gems to be found overall but very mid in context of his full discography. ![]() It's not a bad album per say but it's just really underwhelming in comparison to his previous work and has feelings of a lot of label meddling.
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